The project involved reconfiguring a number of large oak beams that had previously been used to make a large structure into a series of smaller structures for use in a small park area.
More info here.Posted by Rich
Engine of Growth was installed for a festival weekend in Peterborough on 20-21 August. The installation invited people to vote on the fate of a sculpture in the park as a way of creating discussion around the treatment of sculptures in the collection. The weekend was very productive with nearly 400 votes cast and some fantastic, lively conversations.
Read more here.Posted by Rich
’I do not understand why I seem able to make what people call art. For many long years I struggled to learn how to do it, and I don’t even know why I struggled. Then, in 1961, at the age of forty, it became clear to me that I was doing work I respected within my own strictest standards. Furthermore, I found this work respected by those whose understanding of art I valued. My first, instinctive reaction to this new situation was, if I’m an artist, being an artist isn’t so fancy because it’s just me. But now, thirteen years later, there seems to be more to it than that. It isn’t “just me.” A simplistic attitude toward the course of my life no longer serves.
‘The “just me” reaction was, I think, an instinctive disavowal of the social role of the artist. A life-saving disavowal. I refused, and still refuse, the inflated definition of artists as special people with special prerogatives and special excuses. If artists embrace this view of themselves, they necessarily have to attend to its perpetuation. They have to live it out. Their time and energy are consumed for social purposes. Artists then make decisions in terms of a role defined by others, falling into their power and serving to illustrate their theories. The Renaissance focused this social attention on the artist’s individuality, and the focus persists today in a curious form that on the one hand inflates artists’ egoistic concept of themselves and on the other places them at the mercy of the social forces on which they become dependent. Artists can suffer terribly in this dilemma. It is taxing to think out and then maintain a view of one’s self that is realistic.’
Quote from Anne Truitt’s ‘Daybook: The Journal of an Artist’ via Brainpickings.org.Posted by Rich
Not Here opened last night at Radiant Space, Plymouth.
My work for the show is Refuge, a large nest made from found materials bound together with a continuous line of rope. The work was partially built for the opening night and I will be completing the build over the next few days, inviting visitors to bring objects to be included in the nest.