Rich White makes installation works about location, sense of place and the relationships that develop between people and their environment.
Key aspects of his practice are resonance and discovery. Works are informed by research of the locality, dictated by architecture and space, and through the uncovering of stories of identity, memory, place and history. These findings are used to develop work that resonates with the location and the viewer. The work also provides a sense of discovery; installations are immersive and interactive, allowing the viewer to explore the physical environment and discover new perspectives and information.
The forms the works take are often unknown at inception; beginning with site visits and research, and organically shaped by the limitations of space, material and self-imposed restrictions. White challenges himself to pragmatically develop and craft new techniques and methods as the work progresses; drawing on familiar patterns, local history and material connections. Coincidence plays a creative role in his practice; chance encounters with places, people or materials inform the development of the work, creating sculpture that responds to the varied perspectives people have of their locations and the events that shape them.
'Rich has a gentle and steady energy which wins the trust of those around him. He can therefore engage with a range of people in order to consult with them. His thoughtful approach results in work that is quirky, but clearly rooted in the area in which he is working.'
Helga Henry, Director, Creative SHIFT
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Rich is available for commissions, assistant work and design services.
Full details of skills and services including:
Sculpture/installation | Workshops | Consultancy | Artists' Assistant | Gallery Technician | Wood and Metal Fabrication | Design and Photography Click here
Digitally manipulated photograph.
Exhibited at the Basement Gallery, Nottingham.
10 January - 9 February 2001
The Dust Bar, Clerkenwell, London.
2 - 30 August 2001
The intention of 'Departure Lounge' was to raise the basement gallery from underground and place it in the midst of a recognisable yet uncertain environment.
The image contains a view from the runway at Charles de Gaulle airport in Paris.